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Ian
I consider myself a transformational leader with broad experience in the entertainment industry from both artistically creative and highly technical disciplines. about me I come from a small village in the middle of England where the world of Hollywood and filmmaking seemed like a distant dream. Growing up, I wasn't exposed to many creative people, so the idea of becoming a storyteller never crossed my mind. But when I was 15, I saw "The Shawshank Redemption" and it changed everything. The story opened my eyes to the power of film to convey important themes like suffering, criminal injustice, and the triumph of human connection. That's when my journey into filmmaking began.

I wrote short stories, borrowed a camcorder, and started creating as much as I could. However, when I was 18 and about to attend university, my family pressured me to pursue a more traditional and dependable degree in business studies. I was torn between following the path expected of me and the life I knew I wanted. But then, another film changed me again. I saw "American History X" and knew without a doubt that I had to be a storyteller. I had to strive to be part of a process that could open people's eyes and positively affect them the way I was deeply moved.

That's when I found my way to film school in the USA. I was determined to learn everything I could, and I took every class and attended any additional lectures that would let me sit in. After completing film school, I moved to Los Angeles to pursue my dream.

I believe that storytelling and filmmaking are vital and powerful ways to share and connect in the human experience. They can inspire, educate, or simply provide an hour or two of entertainment to someone who needs a break from their everyday life. To be a good storyteller, you have to live and experience life fully. On my journey, I've dealt with great losses and great joys, traveled, fought for human rights, and started my own post-production company.

I'm inspired by innovation and have experimented with new ways to tell stories using augmented and virtual reality. My experience in VFX and post-production has allowed me to play key roles in the creative process, and I understand every angle of what can and needs to be done to make a great film. I know how to get the shot that will drive the story, and I know that collaboration is key.

After 15 years of production, post-production, and VFX experience, I founded Chariotdrive, a creative studio responsible for end-to-end production in film, television, new media, and commercials. In 2020, Chariotdrive was acquired, and I expanded operations into Canada. I then moved back to Los Angeles to work in generative AI and operations at Trailer Park Group.

P.S. A few years ago, I created "The Freeman Chronicles" series based on one of the greatest video game characters of all time. Check out its 93% rating on Steam.
Currently I'm a VP at Trailer Park Group working on AI and gen AI Transformation, Driving efficiency an opening up new lines of revenue. read a longer 'about' with calls back to my childhood here.
Production Gaming Directing Reel Selected Work arrow_downward Post Visual Effects Motion Reel Color Reel VFX Reel OPERATIONAL & CREATIVE experience across: A.I. My labor of love, a partially crowdfunded, three-part series based on the greatest video game character of all time is now complete. From 8 shots to vfx and motion graphics on every frame of the film. A 3-minute high concept intro that allowed for a pitch for Anthony Hopkins to be recast in the role of Finley Hart. Zero Contact producer / vfx supervisor view project Half-Life Film / director World of Tanks has over 160 million registered users and holds the record for most concurrent players of 1.1 million players at the same time. Escape the Night was not your traditional TV show. It had both narrative and unscripted elements blended together and a new genre was coined, Surreality. Escape the Night Post & VFX Supervisor view project Wargaming Director / Head of Video Production Worked closely with Joseph Gordon-Levitt’s Hit Record, on the post-production of this Docu series special. HitRecord Creative director / VFX Supervisor View All Work arrow_forward view project A truly unique endeavor, the video was a result of a partnership between industry titans Apple and Sonos, this being the first time Apple has produced a joint campaign. Apple / Sonos Producer / VFX Supervisor I worked with the acclaimed Linden Lab who are responsible for the long running Second Life. Linden Lab Creative Director what they say "Simply, the most talented, creative, and dedicated individual I have had the pleasure to work with. Ian is well above top notch." Brian Nohe
- Spectore
"Ian is on my "dream team," the one I make up in my head, the one that's made up of the very best folks I've ever worked with."
"He is one of the most creative and technically savvy people I know. His passion and intuition for engaging audiences in epic experiences is inspiring."
Chris Sherland
Jeremy Monroe - Wargaming
- Wargaming
check out my online socials
I help studios and brands ship world-class creative at AI speed. Contact me © Roroco, LLC Made with in Los Angeles by Ian James Duncan Let's work together! mail_outline ian james duncan portfolio Ian james duncan scroll About Experience Work Recommendations Contact Blog

play_circle_outlineTRAILER Half-Life Three-part series based on the greatest video game and character of all time. Over half of the viewers watched the episodes in their entirety. The views are significant as a YouTube view is counted after 30 seconds of viewing. The three-part series is available on YouTube along with several behind-the-scenes videos and cast and crew commentaries. Subtitled in over 20 languages by the community. Live action Half-Life series 10 million minutes watched, more than 3 million views. Rated 9.3 out of 10 on Steam
and 8.9 out of 10 on IMDB.
overview
Writer, producer & director client role(s) VALVe Episode 2: Part 2 Episode 2: Part 1 Episode 1 "Yo Showtime, HBO, Netflix, Hulu, hell-- Youtube: Pick this show up. Give these guys a bigger budget. And TAKE. MY. MONEY."
- Youtube commenter: Nick
play_circle_outline Behind the Scenes Directors POV
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Zero Contact It was clear to me that the film needed a significant visual overhaul for it to be saleable. So I pitched the producers an initial idea to add some basic user interface to make the boxes on black seem a bit more compelling. From eight visual effects shots to visual effects and motion graphics on every frame of the film. A 3-minute high-concept intro that allowed for a pitch for Anthony Hopkins to be recast in the role of Finley Hart. overview Producer, VFX Supervisor, Creative Director client services Enderby Entertainment The opening was designed to pull in the viewer to this mystery of who the lead character was. Go Back Lets Talk Have a Similar Project in mind? go back arrow_back

Wargaming Creatively led a team of producers, designers, and video editors and vfx artists to conceive, plan and produce television, online, and streaming media to support the publishing, shipping and ongoing user acquisition and retention of the AAA titles World of Tanks (PC, Console), Blitz (Mobile), World of Warplanes, and World of Warships in the Americas. While working as Head of Video Production at Wargaming I produced and directed several spots including VR, live action and game capture. overview Director Head of Video Production client play_circle_outlineTRAILER services Wargaming I created this experiential action film and , 3 day live stream from the Wargaming booth during E3. Enormous engagement. Millions of chats. Go Back Lets Talk Have a Similar Project in mind? Scroll go back arrow_back

HITRECORD Thousands of people from around the world build on what Logic started, bringing their own ideas and influences, and inspiring each other to push the music in unexpected directions. Through this unique process, Logic discovers the stories and talents of 21 musicians: an unlikely band of collaborators who come together to create a truly original song and music video. I picked up the reigns from the creative team at Hit Record, and designed 3D animation & titles. VFX Supervised and color graded. Premiered at SxSW in Austin. overview Creative Director, VFX Supervisor, Colorist. client services HIT RECORD, YOUTUBE ORIGINALS, BGM "Do What You Love" is a song made collaboratively - on the internet. Go Back Lets Talk Have a Similar Project in mind? Scroll go back arrow_back

Escape the Night Escape the Night was not your traditional TV show. It had both narrative and unscripted elements blended together and a new genre was coined, Surreality.
I designed a pipeline from camera to streaming platform overseeing, a team of editors and supervising over thousand visual effects and motion graphics shots.
“I’ve not seen anything like your process in over 1000 episodes of TV. Technical combined with creatives in one space.”

Amazon Originals – Post Supervisor
overview
VFX Supervisor, Post Supervisor, Colorist, Title Designer, Pipeline desinger/manager client roles YouTube Originals 4 Seasons.
3 opening title sequences designed.
Over 1000 VFX supervised & 300 minutes colored.
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Linden Lab Based on market research from the incredible TWOFIVESIX, I put together several creative concepts that I pitched to the client. This was refined and a selection was made. All work was outlined on a massive digital whiteboard. I worked with the acclaimed Linden Lab who are responsible for the long running Second Life. I created and directed a series of launch videos using in game capture tools for a new product called Sansar. overview Creative Director, Producer,Editor, Colorist. client services Linden Lab All Blackmagic workflow. Captured in BRAW, edited and finished in Resolve. Go Back Lets Talk Have a Similar Project in mind? go back arrow_back

Apple / Sonos The result is a distillation of data gathered from an in-depth, international case study involving families from all over the world. Participating families were given Nest cams, iPhones, iBeacons, and Sonos speakers; and were monitored for two weeks. The first week, the families were deprived of all music; and the second week, music was encouraged through the use of the provided Sonos speakers. A truly unique endeavor, the video was a result of a partnership between industry titans Apple and Sonos, this being the first time Apple has produced a joint campaign. overview Post Supervisor, VFX Supervisor, Colorist. client role Apple / Sonos How to get 15,000 Hours of video Edited to 90 seconds in 3 weeks. Go Back Lets Talk Have a Similar Project in mind? go back arrow_back